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Bamun Figural Container 33.5″ – Cameroon – African Art

$197.50

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This container was created in the style of the people of the Cameroon Grasslands, possibly Bamun. It features a female figure with the top portion acting as the lid and the torso and legs acting as the container. It measures 33.5 inches tall and weighs 16 pounds. The right leg has been previously repaired and the piece has a tendency to lean backwards without support. There is cracking and wear and tear throughout – please inspect photos.

Type of Object

Figural Container

Country of Origin

Cameroon

Ethnicity

Bamun (Bamum)

Material

Wood, Pigment

Approximate Age

Unknown

Height (Inches)

33.5"

Width (Inches)

12"

Depth (Inches)

12"

Weight (Pounds)

16 lbs

Overall Condition

Repair to right leg. Piece leans backwards. Cracking and wear and tear.

Tribe Information

About the Bamun (Bamum) People

“The grassland region, in south-west Cameroon, is a hilly and mountainous area covered by an equatorial forest in the south and a savannah in the north. Politically, the area is divided into numerous small independent kingdoms and chiefdoms, whose powers are counterbalanced by male and female societies. Since it’s colonization by the Germans in 1884, this entire region, in particular the Bamileke, Bamun and Tikar territories, has attracted the attention of Western scholars because of its artistic heritage.”

“The sultanate of Bamun is ruled by a single, sacred king, known as the Fon, who resides in the capital Fumban. He is assisted by three officials and seven hereditary councilors to rule the 80,000 people.”

“Statues representing ancestors are found all over the Bamun and Bamileke areas. They can be life size and can be incorporated into the backrest of an elaborate throne. These figures representing the king’s wives and his attendants are usually stored in a secret part of the palace and are displayed when a foreign dignitary visits or during important ceremonies headed by the king.”

Source:
Baquart, Jean-Baptiste. The Tribal Arts of Africa. New York: Thames and Hudson Inc. 1998. Print.