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This figural instrument was carved by the Luba people of DRC. This interesting Luba slit drum was carved with two faces on the top and two faces on the bottom. It features an attached drum stick that is functional. It measures 14.5 inches tall and weighs 1.5 pounds. There is cracking, imperfections and wear and tear throughout- please inspect photos.
This is a piece from the Dave Dahl Collection. Please feel free to contact us with your best offers! Please include item title or SKU.
| Type of Object | Drum |
|---|---|
| Country of Origin | DR Congo |
| Ethnicity | Luba |
| Material | Wood, pigment, beads, string |
| Approximate Age | Unknown |
| Height | 14.5" |
| Width | 4" |
| Depth | 4" |
| Weight | 1.5 lbs |
| Overall Condition | Some cracking, scuffing and general wear and tear throughout. |
“The Luba empire was founded in 1585 in the Upemba depression by King Kongolo. His nephew and successor, Kalala Ilunga, rapidly expanded the kingdom to encompass all the territories on the upper left bank of the Lualaba River. At its peak, about one million people, living in several tribes, were paying tribute to the Luba king. At the end of the 19th century, with the advance of the Ovimbudu people from Angola and the raids of the East African Muslim slavers, the empire weakened and, in fact, collapsed when Belgian colonials took control.
With the Assistance of a court of notables, called Bamfumus, the king, known as the Mulopwe, reigned over his subjects through clan kings called Balopwe/ These clan kings could symbolically become the Mulapwe’s son which created client states throughout the empire. A secret society, Bambudye, kept the memory of the Luba empire alive and permeated throughout Luba territory, bonding the diverse populations together. The Luba empire economy was complex – it was based on a tribute system and the redistribution of resources from agriculture, fishing, hunting and mining. The production of salt and iron was under the king’s control.”
Source:
Baquart, Jean-Baptiste. The Tribal Arts of Africa. New York: Thames and Hudson Inc. 1998. Print.
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